youtube stop recommending me this genre of video challenge
I should’ve made the dog look more domestic this wasn’t meant to be about exotic pets there’s videos of “dog rescuers” taming terrified dogs they just met by trying to pet them until they stop fighting
The thing re Weird Al that I think is worth recognizing is illustrated by the Spike Jones Jr quote “One of the things that people don’t realize about Dad’s kind of music is, when you replace a C-sharp with a gunshot, it has to be a C-sharp gunshot or it sounds awful.“ It’s like really good parody has to do it all backwards and in heels, and Weird Al gets in there and counts the syllables and pours over the phrasing and word choices so that it all sounds precisely like the original, and then re-records the song, acknowledging the tiniest details of the recording, and also makes it a highly detailed spoof of an adjacent and absurdly unrelated piece of popular culture. I think really good parody has a love for the source materiel that’s impossible to fake. It takes real musicianship (or craft) to do and it usually gets tossed aside as “novelty” recording.
You gotta be fuckin’ good if you want to fuck it up.
Al will also try to reuse the original music video sets if they’re available, and bring back the same background actors.
I assure you, in the music industry, Weird Al is highly respected. If he makes a parody of your song it’s acknowledged that it means you have ‘made it’ as an artist. Rappers have commented on how ‘scary good’ at rapping he is. His range is right up there with Danny Elfman in terms of how incredibly huge it is. Accordion players have commented that he’s insane on the accordion, and does it while jumping around on stage, I may add. He learns from his mistakes and to top it all off he’s a really kind man (I’ve met him).
The thing re Weird Al that I think is worth recognizing is illustrated by the Spike Jones Jr quote “One of the things that people don’t realize about Dad’s kind of music is, when you replace a C-sharp with a gunshot, it has to be a C-sharp gunshot or it sounds awful.“ It’s like really good parody has to do it all backwards and in heels, and Weird Al gets in there and counts the syllables and pours over the phrasing and word choices so that it all sounds precisely like the original, and then re-records the song, acknowledging the tiniest details of the recording, and also makes it a highly detailed spoof of an adjacent and absurdly unrelated piece of popular culture. I think really good parody has a love for the source materiel that’s impossible to fake. It takes real musicianship (or craft) to do and it usually gets tossed aside as “novelty” recording.
You gotta be fuckin’ good if you want to fuck it up.
Al will also try to reuse the original music video sets if they’re available, and bring back the same background actors.
I assure you, in the music industry, Weird Al is highly respected. If he makes a parody of your song it’s acknowledged that it means you have ‘made it’ as an artist. Rappers have commented on how ‘scary good’ at rapping he is. His range is right up there with Danny Elfman in terms of how incredibly huge it is. Accordion players have commented that he’s insane on the accordion, and does it while jumping around on stage, I may add. He learns from his mistakes and to top it all off he’s a really kind man (I’ve met him).
you’re all missing out on how bonkers the original promo pic is
malpractice orgy, shoes on the bed, cuddy inexplicably the only one barefoot, every fandom has fanart of the infinite bed cuddle pile but house md made it a real promo art, my medical team and yes they smoke weed
The workplace attire stays ON during sex, the princeton plainsboro polycule threatens to expand to other teaching hospitals, the whole group chat, bedtimes md, everybody lies (down to sleep)
ALT
