What if the evil fashion designer wanted to skin puppies because she was evil? What if the guy that stabbed a bunch of teenagers did that because he wanted to stab a bunch of teenagers? What if the evil witch wanted to cook and eat children because she was–you guessed it!–evil? Why’s everybody gotta have some tragic backstory for sympathy points? Boo! I want to see some unrepentant bastard do bastardly things and, perhaps, a woman covered in blood, also.
Today I drew Digimon. Yaaaaaaaaaaaaaaaaaaaaaaaaaaaaay. I also simplified a design I had overcomplicated, and then made a design that was overcomplicated. Yaaaay?
Monster fucker this, monster fucker that. What if I want a monster RELATIONSHIP huh?! Monster HAND HOLDING, monster INTIMATE CONVERSATIONS, monster COMFORTABLE SILENCE??
i’m still losing it over the fucking narrative choice trying to make a rich asshole who WANTS TO TURN PUPPIES INTO A FUCKING FUR COAT sympathetic by, uh
[spins roulette wheel] having her be raised by a kindly mother who dies to
[picks papers out of a hat] a pack of dalmatians running her off a cliff [throws darts at a board] and those dalmatians actually being trained ones that i guess, assassinated her fucking mother through aforementioned cliff-running and [squints at hand] are owned by a rich fashion mogul that scrappy victorian orphan cruella initially admires and wants to be like, but swears revenge on her when she finds out about her role in her mother’s death?
I don’t want to believe you but I can’t bring myself to disbelieve this.
More than anything I DESPERATELY wish I could tell you I was joking about literally any of it
there are a lot of people who are going HUH??? at me in this post and i’m so fucking sorry
