Amethyst kept the truth secret until the last second instead of confronting them immediately and privately
Garnet pressured Amethyst into fusing when she was uncomfortable with it at the moment
All three gems fucked up tonight don’t put everthing on one
Okay, no. Putting the others’ screwups on the same level as Pearl’s is a disservice to both them and to Pearl’s narrative.
The
worst you can say for Amethyst and Garnet is that they reacted poorly
in the moment. Amethyst didn’t know how best to deal with a volatile
interpersonal situation so she waited longer than she should have.
Garnet was indelicate but ultimately she had no other choice: regardless
of Amethyst’s feelings, that tower had to come down ASAP, and a fusion was the only way to do that.
Both
of these are more forgivable in part because they were reactions.
Reactions have a time limit, and we often aren’t prepared for them. It’s
hard to arrive at the ideal solution. Pearl’s mistake, on the other
hand, was proactive. She created the situation. There was no time
pressure on her, there was no imperative that required her to act other
than her own fucked up emotions. All she had to do was not do the
thing.
But moreso than that, the difference is that everyone
else’s fuckups were interpersonal. As fucked up as Pearl’s actions were
toward Garnet especially, it really pales next to the fact that she willfully endangered the entire planet. Like,
look at that in perspective. Every time she rebuilt that tower, she
increased the chance of Peridot’s message reaching homeworld. Which
could easily lead to literally billions of deaths. Her own, and her
friends’, but also uncountable children like Connie dying screaming,
burned to death under the particle blasts of homeworld gems, or starving
slowly on a used-up world. Planetary genocide.
All because Pearl missed feeling strong. Or, more likely, because she missed intimacy. And also, I think, because she never really cared about Earth, beyond whatever emotional bells it rang for her with regards to Rose. She cared because Rose cared, and she sticks with it for Rose’s memory, but also because she doesn’t know what else to do. But when a more immediate emotional need arose, she threw the entire human race (and her revolutionary buddies) under the bus two nights in a row, and to all appearances would have just kept doing it until she was caught or Yellow Diamond finally sent a fleet. She sold out everything Rose fought and died for to get a few moments of emotional stability.
Isn’t that interesting? That a need so incredibly simple could lead her to become so desperate, so weak, as to make her fuck up in such a huge, potentially devastating way, while still being so incredibly understandable?
And doesn’t it put the others in such an interesting situation? Dealing with a friend and ally who has fucked up in such a massive way that, regardless of whether they understand it (Amethyst does, Garnet really doesn’t), it can’t be allowed to continue under any circumstances? And on an even more upsetting level, dealing with the fact that their ally, much as they love her personally, was never really fighting for the right reasons, and can’t necessarily be trusted to keep their best interests at heart when the wind changes?
Pearl is an incredibly complex and deeply flawed character, and as a result this is a really, really great story. Simplifying what happened in “Cry for Help” to “everyone screwed up and hurt each others’ feelings” ignores most of what makes it worth telling.
During a high school production of Beauty and the Beast, where I was
assistant costumer and assistant prop master, our director decided that
we needed to spice up Gaston’s introduction. You know: in the movie,
when Lefou runs in trying to catch the duck/goose that Gaston has just
shot out of the sky?
Originally, the actors were going to stroll
on stage with our Lefou hauling in the really neat (and real!)
taxidermied deer head that we had found in a local thrift store. Now,
two days before opening night, our director wants Lefou to run in from
off stage and catch a stuffed duck that Gaston has just shot. This, of
course, requires two things to work properly as a scene: a gunshot
noise, and a stuffed duck.
The gunshot noise, we had covered.
Blue-collar, redneck school? Guns a plenty to record. The stuffed duck?
Harder than you might have thought to obtain.
Three hunting
stores, two taxidermists, and one Pet Supply Store ™, I’d finally found a
semi-realistic pheasant squeaky toy. What follows is an account of the
ways this dog toy managed to be the nightmare prop of the six show run.
Opening
Night: The stagehand, who was supposed to drop the bird from the
ceiling catwalk, missed his cue and didn’t drop the it. Lefou’s actor
rolls with it and does an excellent job of looking around foolishly
before getting cuffed upside the head by Gaston. The stagehand then
drops the bird squarely on Gaston’s head. Cue laughter.
Saturday
Matinee: Different stagehand throws the bird instead of dropping it and
beans Lefou directly in the face with the prop. Lefou falls over. Cue
laughter.
Saturday Night: Bird is missing during curtain call.
Director hauls the deer head down from it’s place on the tavern wall and
tells Gaston and Lefou to revert to the old blocking i.e. no gunshot,
no bird, just walk in with trophy. During Gaston and Lefou’s
conversation, gun shot sound goes off and a stagehand throws the bird
onto the stage…from the wrong side of the stage. Lefou and Gaston stare
at it in awkward silence for a solid thirty seconds before Lefou makes
off-script, subtle joke about Gaston’s gun going off late instead of
early. Cue adults in the audience laughing.
Sunday Matinee:
Director begs the stagehands to get the cue right at least once. Gunshot
and bird prop go off without a hitch. Lefou accidentally catches the
prop when it falls from the catwalk. He’s so startled that he caught it
that Gaston runs right in to him. They drop both the gun and the bird
props, and grab the wrong prop in their scramble. Gaston spends the rest
of the scene gesturing dramatically with a stuffed pheasant, instead of
a gun.
Sunday Night:
Director is fed up with bird prop, decides that Lefou should just carry
bird prop in after gunshot happens off stage. Lefou accidentally
squeezes the prop during the intro conversation, startling both actors
into silence with the squeaky toy noise - apparently, neither of them
realized it was a dog toy.
Monday Elementary School Show: Lefou walks on stage with the
bird. Accidentally drops the prop during conversation with Gaston.
Gaston doesn’t notice the dropped prop and steps on it. Cue depressingly
sad squeaky toy noise. Cue ten years olds laughing.
the origons of Ouija boards are funny if you think about it like they’re part of an another country (China)’s ancient history that was practiced until one emporer decided “You know what this is probably a bad idea” and banned the practice.
then centuries later an old buisnessman comes along and is like “I’m going to take this and market it as a toy to children.”
