Silver Tongue

Oct 25

kaijuno:

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(via rockboci)

fishfag:

ooccoo:

parasiteeve:

JERMA DOESN’T EVEN FLINCH..

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(via taffybuns)

passionpeachy:

passionpeachy:

thinking of when I had a dream I was an aging white father of 3 kids and my weeping wife was begging me to not leave (I don’t know why I was leaving her) and as I walked out the front door of our suburban home I turned around in my khakis and said “I’m sorry, but I have to go now and….I’m never coming back. I love you” and then woke up like

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(via moonpaw)

gumblin:

Jane Crocker flunked out of collage 3 weeks in

Bold of you to assume she didnt just buy passing grades

(via thatneoncrisis)

[video]

lesbianralzarek:
“pawgliacci:
“lesbianralzarek:
“pawgliacci:
“Well modern camera equipment can almost see in the dark so what do you even need lighting for?
”
i just gotta real quick make sure that youre joking. you are joking, right?
”
I’m not...

lesbianralzarek:

pawgliacci:

lesbianralzarek:

pawgliacci:

Well modern camera equipment can almost see in the dark so what do you even need lighting for?

i just gotta real quick make sure that youre joking. you are joking, right?

I’m not joking. Do you understand the ISO value system as it relates to film?

im not arguing that you cant film in the dark without special lighting (obviously you can), im saying you shouldnt. im arguing with the second half of your statement. the lighting in the first picture is very purposeful and enhances the horror of the film. they didnt get into the editing room and go “oh darn, we forgot to shine a light on the guy hiding in the shadows!” jaws was made scarier because you could rarely see the shark, so your brain invented the scariest possibility. you can just… see the whole man in the second picture. having a flat shot where the lighting doesnt even draw in the viewers eye to anything (much less obscure something thats supposed to give the movie tension and anticipation) looks fucking boring and adds nothing

thats what we need lighting for

(via rockboci)

threefeline:

indelibility:

pyromaniac-fairy-of-water:

redrikki:

asexual-musings:

asexual-musings:

no one:

asexuals before realizing they’re ace: isn’t it weird how we call people “hot” when we just mean, like, pretty? it makes it sound like you actually feel hot when you see them. which isn’t a thing. anyway

ok i am absolutely losing it over the sheer number of people who found out what hot means from this post

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Man, this is like the time my therapist explained that watching characters with “chemistry” is supposed to make you feel aroused. Who knew, right?

I’m sorry what?

I thought it was supposed to make you intrigued like any other plot device

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(via thedenofravenpuff)

Oct 24

canadiankazz:

skeletalroses:

freshfruitforrottingvegetablez:

funnytwittertweets:

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The old horror movies also had deep symbolism you were just to young to know it!

Alien? Full of metaphors about sexuality and rape

Nightmare on Elm street? Metaphors about generational trauma and violence

Halloween? The inevitability of death

Friday the 13th? Fear of sexuality

I COULD GO ON!

HORROR HAS ALWAYS BEEN ABOUT EXPLORING THE DARK UNCONSCIOUSNESS OF HUMANITY AND PIGEON HOLING IT AS LESSER ART IS A MISTAKE

Horror also reflects the anxieties of its time! The nuclear era of the 1950s showed us lots of mutants, monsters, and science gone bad. The ‘80s saw the golden age of serial killers (carried over from the ‘70s), suburban excess, reactionary conservatism, and Satanic Panic; thus we get slashers carving up wild-partying teens, plus creepy neighbors and home invasions. Current horror often deals with themes of alienation, gentrification, apocalypse/societal collapse, and pressure to perform an Instagram-perfect social veneer—you know, #JustLateCapitalismThings.

And yes, horror is in fact the Most important genre, culturally, politically, artistically, and philosophically.

Even going further back…

Dracula is about a fear of foreigners, sex, (and sexy foreigners) and death.

Frankenstein is about mankind’s desire to mess with nature and the consequences of that.

Dr. Jekyll and Mr Hyde is about seemingly nice, “respectable” men secretly being monsters.

The Tell-Tale Heart is about guilt.

(via rockboci)

agoodcartoon:
“liberty1776:
“agoodcartoon:
“fucking lol had his fried nuts handed right to him
”
This could be all of us next. Taking away one persons rights effects everyone’s rights.
”
oh no my right to rake in profits built on nefarious lies about...

agoodcartoon:

liberty1776:

agoodcartoon:

fucking lol had his fried nuts handed right to him

This could be all of us next. Taking away one persons rights effects everyone’s rights.

oh no my right to rake in profits built on nefarious lies about victims of violence and face no consequence in civil litigation.

anyway,

(via bloodsbane)

strelliata:

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(via turing-tested)