Everyone in the MHA Universe: “All Might is so cool!“
All Might: *flubs catchphrase in front of a packed stadium*
All Might: *completely helpless with vital paperwork*
All Might: *full of corny jokes* All Might: *uses his own voice as a ringtone and message alert* All Might: *has a “Teaching for Dummies” manual for his job as an educator* All Might: *a totally over the top ham*
MHA Universe: “SO COOL”
bold of you to assume being a disaster whose just trying to do his best in unfamiliar situations doesnt mean hes cool
I hear people all the time criticizing musicals by saying “why can’t they just say what they mean instead of singing and dancing about it?” and for years the only answer I’ve had was a smile and a shrug, but I finally just figured it out.
It’s because the words by themselves aren’t enough.
Outside the song, there would be almost no moving passion in Javert’s words “This I swear by the stars.” How would He Had It Comin’ be anywhere near as dangerous and vengeful without the lighting and the dance routine? The reprise of Wouldn’t It Be Luvverly is essential to underlining just how much Henry Higgins has changed and damaged Eliza Doolittle. The Mary Poppins chimney sweeps would just be weird guys off the roof if they didn’t have their whole zany song and choreography to make them a funny and interesting group. And there aren’t any words in any language to describe the complete change in Leslie Odom Jr.’s voice as the music cuts off and he solos “I…wanna be in the room where it happens, the room where it happens.”
The reason we have musicals–and the reason we have music in general–is because words aren’t enough.
“Music expresses that which cannot be said and on which it is impossible to be silent.”
