Silver Tongue

Jun 02

orteil42:

orteil42:

“You can’t carry anymore meals!” i can’t believe what i’m reading

Tears of the Kingdom is a cooking game with rpg elements. why would they do this

(via bloodsbane)

raptorcivilization:

internetwesley:

girldong:

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Why do they word it like it’s a military operation or like peace talks

What human rights violations did they commit this time

Take your pick:

(via rockboci)

skuffypaw:

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I KNEW all shadowclan cats were nonbinary I KNEW IT

(via bloodsbane)

oneheadtoanother:

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(via liquidstar)

shadow-von-vamp:

shadow-von-vamp:

i hope all ai users go to hell no matter what

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(via rockboci)

demilypyro:

I get that nuclear shit is dangerous but if that’s the case why did they make radiation logos look like the coolest shit ever

personally i think biohazard looks better

where-is-tom-scott-today:
“I am here with the pokemon fan base
”

where-is-tom-scott-today:

I am here with the pokemon fan base

(via taffybuns)

grawly:

grawly:

why is the Press A To Roll in the 3D Zeldas before botw anyway is it just to give the player a kind of micro action to do between walking from point a to point b. serious question.

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Originally posted by claycaduceus

(via demilypyro)

hapalopus:

hormelfoods:

ponyboyfaceshopping:

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by Gerard Donelan

For historical context, this is about making a panel for the AIDS quilt, a memorial project which began in San Francisco in 1985. Due to the stigma surrounding both homosexuality and AIDS during this time, victims of the epidemic were often cremated and disposed of or buried without ceremony, their bodies unclaimed by their families or origin or held by hospitals rather than released to same-sex partners.

Each panel in the AIDS quilt memorializes a life lost to the disease. Each panel is 3′ x 6′ (approximately 1 meter wide and 2 meters long), the approximate dimensions of a cemetery plot. The quilt, which then consisted of 1,920 panels representing 1,920 individuals lost to AIDS, was first displayed in Washington DC in 1987. The public response was immediate, positive, and overwhelming, and the quilt began taken around the country to be displayed in more cities. At each stop, the names of the dead were read out loud. At each stop, more panels were added.

By the time the quit returned to the US capital in 1988, it had more than 8,000 panels.

The quilt continues to grow. Today, it has over 50,000 panels memorializing over 100,000 of our dead. It’s too large now to physically display in its entirety, but you can view the entire thing online. There are also curated virtual displays of just panels which honor the Black and native people killed by the virus because in the US (and likely abroad, although I don’t know enough about public health elsewhere to say so with confidence), communities of color are disproportionately impacted by epidemics, as we have seen time and time again.

You can learn more about the quilt and its history here, and you can learn how to add a panel to the quilt here.

If you’re unable to access the quilt, here’s a zoomed in screenshot of the bottom left corner:

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The quilt is made up of several panel, each panel itself consisting of 1 to 8 quilts.

Here’s a screenshot of the whole thing:

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This is only about half of the people - our people - who were left to die because the government didn’t think “the gay disease” was a problem. This is why we march.

(via taffybuns)

volumina-vetustiora:

nostalgic-breton-girl:

‘boots of resist frost’ yeah they’re just boots

'shield of blocking’

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(via stemmmm)