Silver Tongue

Jan 15

ashtheavaricious:

prokopetz:

Artist: Hey, here’s my new OC! Have a detailed visual reference and 2500 words of meticulously plotted backstory!

Artist: *literally never draws them again*

artist: *posts art of OC*

image

(via robustquestioner)

5 hours energy commercial

[video]

blinkpen:

i love that part in the third episode of FMA:B where it’s revealed that ed had staged a classic “expose the villain’s lies by acting like i’m cornered and then secretly record/broadcast the ensuing monologue to the public” scheme

only instead of a stealthy bug or a wire he used a regular ass standing mic and it was lying right in the middle of the fucking floor the entire time and the guy just didn’t notice it was there when he walked in

image
image
image
image
image
image
image

(via dan-mcneely)

charlesoberonn:

probablybadrpgideas:

Invite people round for a game of D&D&D. Refuse to say what the third D stands for.

image

(via scafe-dragon)

(Source: filibusterfrog, via filibusterfrog)

[video]

[video]

rainbowcloversandwhalechickens:
“karkat ampora resprites… his coat is too big for him so it keeps falling off his shoulders. somewhere between functional gay and disaster gay
”

rainbowcloversandwhalechickens:

karkat ampora resprites… his coat is too big for him so it keeps falling off his shoulders. somewhere between functional gay and disaster gay

(via )

heroineimages:

morkaischosen:

rileyjaydennis:

trash-giraffe:

Whenever I look back on the early episodes of Avatar: the Last Airbender, I realize that Iroh was probably acting a little ridiculous on purpose. He knows that Zuko still has fresh emotional wounds from his cruel, uncompromising father and sadistic sister, and the one source of softness and warmth in his life, his mother, is long gone. Iroh always tried to be a friend to Zuko, but now that his nephew has been scarred and banished, he tries to be goofy and funny and carefree so desperately hard because all he wants is for Zuko to smile and relax again.  If making a fool out of himself is what he has to do, he’d do it a hundred times over.

how dare you give me iroh feels all these years later

that, and it gives him cover to slow things down.

he doesn’t want to capture the Avatar, but he can’t tell Zuko that; he needs time to help his nephew get out of the mindset Ozai’s abuse taught him.

nobody’s going to listen to him if he just tells them to stop - it’s too blatant a betrayal of the Fire Lord’s wishes - but he can play the buffoon; when they get too close, he can lose a piece of his pai sho set and delay the entire operation to replace it.

because he’s a loving uncle, and this is what Zuko needs on that level; but he’s also a genius strategist and an experienced conspirator, and this serves his purposes on a few levels

there’s even a pretty damn direct implication that he’s doing this deliberately. it’s easy to miss at the time, because you don’t have the context, but that first time we see Iroh delay Zuko and the soldiers chasing Aang? it is, as I mentioned, when he loses a piece of his pai sho set, only to realise he’d been carrying it all along

specifically, it’s the White Lotus tile - the one that gave its name to the order of benevolent meddlers he’s secretly been a member of this whole time. there’s no way that’s a coincidence.

Pretty sure I’ve said this before, but Uncle Iroh is possibly the most brilliantly sophomoric character ever written. 

(via chefpyro)