what the fuck

tygermama:

shadowblade217:

athenadark:

fandomlife-universe:

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Liam Neeson apparently was a danger on set because the jedi have like four basic moves but he was trained for swordfighting for Rob Roy so he would wave his plastic sword in new and interesting ways that would not be choreographed but were traditional actual ways to fight with a sword

To be fair, that does sound like something Qui-Gon would do.

between Liam actually knowing what he was doing and Ewan not being able to stop himself from making lightsaber noises it’s a wonder the Phantom Menace got made at all

roach-works:

starweird03:

questions-within-questions:

zarekthelordofthefries:

axiological:

It’s such a shame that so many people forget that the -punk suffix on cyberpunk and solarpunk referred to anarchism and/or anti-capitalism and it’s not just, like, -stuck but for alternate history

Also steampunk although nobody EVER knew what the punk meant there

Steampunk has never been punk. It’s just “wouldn’t it be nice if I was a rich victorian capalist and aristocrat but also with access to a doomsday machine.”

Steampunk was a complex movement centered around proving how the problem wasn’t technology but social customs that kept us divided. Most optimistic steampunk fiction that occurs in a high science fiction setting is either idealized (full automation) and/or an actual commentary on capitalism and classism.

People like to dress up and use the aesthetic because they enjoy it, and as of yet there is no other word (to my knowledge) for the aesthetic side of it.

Also, steampunk has a lot of branches/derivatives as well. In dieselpunk, the focus is on limited resources and the futility of fossil fuels (think of the video game Frostpunk). Atompunk is all about humanity’s doomed obsession with nuclear energy and weaponry (the entire Fallout series). Stitchpunk is just meant to be pretty plainly creepy and dark, bridging the old-fashioned with the modern to create Things That Should Not For The Love of God Exist (Coraline, 9, Nightmare Before Christmas, Edward Scissorhands) in the eyes of society and then going on to either use that instinctual revulsion as a symbol of evil or to smash down the consumer’s prejudices about the character/item.

Punk addressed more topics than just anarchism and anti-capitalism. It also tackled prejudice, classism, human arrogance, etc..

punk is also an angry retort to current norms. it’s not a coincidence that steampunk took off in the 00′s, when the digital age was closing in around us and all of our consumer electronics got harder to understand and even more boring to look at. technology did more for us than ever, but it was an awful combination of cheaply made and expensive to purchase, you couldn’t build it or repair it or save it or even understand it, and it generally looked like a sleek plastic block. the iraq war was going on, scientists were starting to scream about global warming, everyone wanted to suck apple’s slick white dongle, the new century was fucking terrifying. everything was hot and loud and cheap and plastic and scary and oversimplified ultrasleek ugly and new, new, new! 

steampunk borrows imperial aesthetics, and that’s a shame, but it’s specifically a romantic escape from the new millennium’s minimalism and consumerism, as well as an interrogation of the class divides any imperial power maintains within itself and the nature of consumption itself.  people, machines, money, dreams. 

there’s a reason gears became the central symbol of the genre, aside from looking cool: we wanted authentic interiority, as everything around us turned digital. we wanted authenticity. we wanted machines we could take apart and touch, and we wanted beauty. we wanted machines made of iron and wood that you could fix with a wrench, lush costumes with layers of embroidery, the promise of freedom and adventure on your airship while you looked dope as shit in your fancy corset. 

steampunk was only as shallow as the aesthetic slap-a-cog on it edges appeared. the center of it was punk

seras-sanctum:
“ chefpyro:
“ dunmer-dovahkiin:
“ radiantraiment:
“Did You Know: In Saarthal, when Tolfdir says “I’ve never seen this in Nordic ruins before. Look at all these coffins!”, he’s referencing the ceiling rather than the tombs on the...

seras-sanctum:

chefpyro:

dunmer-dovahkiin:

radiantraiment:

Did You Know: In Saarthal, when Tolfdir says “I’ve never seen this in Nordic ruins before. Look at all these coffins!”, he’s referencing the ceiling rather than the tombs on the walls?

never once in my life and hours of gameplay have i ever looked up in this chamber

you could probably write a paragraph or two about how they could have led the player’s eye upwards in some way since this is legit some cool environment design but they just completely failed to cause the player to see it

They could’ve done better certainly, but like, “Gamers Don’t Look Up” is a super interesting psychology/design problem that game designers have to work around. You have to try really hard to make people look up. They just don’t want to do it. If you’re gonna put anything at all above line of sight of your players you better have the equivalent of a giant blinking arrow pointed at it or they will literally never see it.

you know what could have made gamers look up? a large statue in the center of the room that is too large to see all of without moving your head

stealingpotatoes:

wuhkie:

angelsaxis:

angelsaxis:

wuhkie:

angelsaxis:

AU where Padme is a Jedi and Ahsoka is her padawan.

I’ll have the fic on your desk by Monday

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The best part is the fact that Anakins not even like a tactful senator. He’s super popular but he and Padme have the exact same negotiation styles as they do in the normal canon

Senator: *starts insulting someone Anakin loves*

Anakin: *pulls out a gun on the Senate floor* say it again

Ahsoka always gets this wolfish grin on her face whenever she and Padme are assigned to protect Anakin because sure, Padme occasionally gets into aggressive negotions but mostly is pretty calm. Anakin, though?

Padme: Really, Ahsoka, I don’t see why you’re so eager for a dull bodyguard assingment with Anak—uh, Senetor Skywalker.

Ahsoka: The last time we were supposed to have a “dull assignment” with Skywalker he called Grievous “dooku’s punk clanker bitch” and blew up half his fleet.

Padme: I’m aware. I’m the one who had to duel Grievous while you held Skywalker back.

Ahsoka: And it was dope.

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I offer this hasty sketch to this god-tier au

padme: We’ve been assigned to you as protection

Anakin: I dont need protection, I can handle myself!

Padme: No, you misunderstand, we’re here to protect people FROM you

surprisebitch:
“ memecage:
“I am currently studying memes academically. I thought you might enjoy the current proposed “ages” of internet memes
”
OP please post the link to the academic journal or the paper when your research gets published
”

surprisebitch:

memecage:

I am currently studying memes academically. I thought you might enjoy the current proposed “ages” of internet memes

OP please post the link to the academic journal or the paper when your research gets published

asmivi:

gayavatarstyle:

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this is literally the only logical progression for their dynamic

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thanks for the warm up idea 

totallynotagentphilcoulson:

binchhhhhhhhhhh:

deepspacepirate:

One of my favorite tropes is post apocalyptic towns being named after dilapidated signs with missing letters, like Novac (no vacancy) and Eaden (dead end). There’s something inexplicable about it

catch me in the city of fre shavaca do

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