wrexie:

I’ve been sitting on this screencap redraw for absolute fucking ages, with the only things left that I needed to render being… the wires. and I just never got around to it until now

this scene, or rather this frame, was hugely influential to me pursuing art as a kid and it’s so, so satisfying to take it on as an adult. it’s my favorite thing in the history of anything ever. I could talk about it for AGES and I definitely HAVE talked TST’s ear off about it

yeah-yeah-beebiss-1:

this is what happens when you have bugs but no snax

to be fair, keanu reeves is qualifies as a snack

snejkha:

Commission for @drayplaysgames // Thank you so much//

xxtc-96xx:

yukipage:

art–school–wannabe:

i’m getting the impression that every trans person to exist identifies with link in some way or another.  not just transmascs.  link is OUR gender and we have to share <3

I relate to this so much

strifesolution:

me about to send something cursed in the group chat

tockthewatchdog:

captainamericagf:

#this gets funnier the more time goes on

templepriest-motherfucker:

Say it with me folks:

• “Eat the rich” means 1%ers and billionaires
• middle class is closer to poverty than being a multimillionaire
• “The rich” does NOT include children of billionaires (come on we’re at least slightly better than the plagues of Egypt)
• Upper middle class children SHOULD NOT feel guilt over having money
• Being aware of privilege and using your privilege to help others IS NOT a guilt trip
• Constantly feeling guilty helps no one
• Billionaires, however, should feel guilty over hoarding wealth.
• Upper middle class is NOT rich
• Black Lives Matter
• Trans rights are human rights

joasakura:

blindstargazer:

professorsparklepants:

xxtc-96xx:

I didn’t realize ;-;

Okay I reblogged this before BUT the visual contrast between the first scene and the second one is fantastic. The first sets Peter’s vibrantly multicolored suit up against the black & white colors of the reactor; the second does the same thing, but switches the palettes. Now the background is in reds and blues and Miles’ suit is the black and white. And he still catches the eye in a screen full of moving parts. THIS MOVIE, GUYS.

It’s Miles standing out against the colors of the original Spider Man.

this remains a masterclass in How to Make a Comic Book Movie