maniacaltoaster:

saddestblogger:

ah yes, tumblr drama. it reminds me of the hunt

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I don’t even remember what happened in this episode. I just remember that guy saying that line, and getting more and more energetic every time.

i vaguely remember vicky trying to get a date with him and timmy using cosmo and wanda to sabatage but every stabatage only just reminds him of the hunt

hootpoop365:
“Day 172 (Venom AU. Later on Vriska joins the John’s host party and his life goes from staring at the ceiling for hours every night to speeding downtown in a stolen cop car eating cereal)
”

hootpoop365:

Day 172 (Venom AU. Later on Vriska joins the John’s host party and his life goes from staring at the ceiling for hours every night to speeding downtown in a stolen cop car eating cereal) 

p-666t:

really fucking late but happy birthday king

texturepak:

nobody:

minecraft shaders: 

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chefpyro:

i love it when cartoon characters say fuck.

not any cartoon character, mind you. just characters that WOULD say fuck if they were allowed to say fuck.

spongebob does not say fuck. squidward? he says fuck.

pony head would say fuck

adurot:

probablybadrpgideas:

probablyadrpgideas:

Flavor is your friend in fifth edition as a player. Just how you describe the appearance of what you do can define major aspects of your character. Playing a warlock who uses their fists to attack? Why not just cast Eldritch Blast and flavor it as you imbue your fists with arcane energy to attack? Heck you can make multiple attacks this way due to multiple beams. Someone is gonna say in the notes how would you punch an enemy 30 feet away as per the range of Eldritch Blast? Use your imagination! Maybe you launch energy spectres of your fists or perhaps the power of your strikes are so great that the aftershocks reach that far! Sure spells and stuff have set descriptions of their appearance but why let that stop you! I say make these things your own as you are in fact the person using them. Make Fireball one of the trademark spells a literal sun! That rather than exploding just temporarily envelops the radius of the spell!

Clerics are my favorite for this. I’ve had a discussion on “create food” for different gods- a nature god makes nearby trees bloom with fruit, a death god makes a prey animal just collapse on the spot and a god of evil teleports food from others to you. You could make it more abstract, even, if it works for your setting- a god of war gives you supernatural hunting powers, while a good of community has a friendly stranger show up and offer their rations.

A lot of cleric spells need to be more aligned to their specific gods and fluff is the best way to do that for now.

This is how I’ve been doing my current sorcerer. Lightning punches for his Shocking Grasp, the “Hulk clap” for Thunderwave, ect.

I describe my warlocks eldrich blast as a bunch of rotating shapes like kamek

systlin:

topmeladies:

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Don’t call me out like this

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omghotmemes:
“why does it happen
”

omghotmemes:

why does it happen

ashtheavaricious:

bisexualducknewton:

ashtheavaricious:

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a little something i like to call… a character study

bimbofication

stop no i hate this because that was 100% absolutely going to be my original caption

nocturnaltherapist:

blue-author:

prokopetz:

My advice when folks are struggling with writing in the third-person omniscient is to Lemony Snicket it up. Give your omniscient narrator strong opinions about what’s going on. Don’t fall into the trap of assuming that the third-person omniscient perspective must also use the objective voice; those are two separate things, and many of the most popular and successful writers who’ve written in the third-person omniscient do not, in fact, use the objective voice.

“Willingness to admit the narrative has a voice” is, I think, a big part of what makes young adult literature so much more engaging than a lot of books marketed at adults, particularly adult men.

“Lemony Snicket it up” is a very good phrase and very good advice