What was it he did? I cant miss an opportunity to drag Ross
So! First! He made out with Rachel while he was still dating Julie
THEN, he couldn’t decide which one he wanted to date more, so he kept dating Julie and didn’t tell Rachel anything about his decision after they had kissed
THEN he made a pros and cons list to decide whether or not to dump Julie so he could date Rachel and he wrote shit like: Too ditzy, too spoiled, too into her looks, not much in common since she’s just a waitress, and she has fat ankles
THEN, after he finally decided to dump Julie and be with Rachel, he tried to hide the list from her but she found it anyway and got rightfully pissed off
THEN he tried to make all sorts of excuses for the list without actually apologizing
THEN he ignored Rachel’s choice to be alone by CLIMBING UP THE SIDE OF THEIR BUILDING INTO THEIR FUCKING BALCONY to try and force her to listen to him read her “Pro-list”
THEN he gets his other friends to let him into the house after Rachel makes it clear that she doesn’t want to see him by going into her room
THEN Rachel tries to explain to him why she’s so hurt by the list by telling him that all the things he wrote on the list were things she actually hates about herself and it sucks he not only agrees with her but actually uses those things as reasons not to be with her
THEN he CONTINUES to try and make excuses for himself and even try to make her feel bad about being mad at him by turning the situation around by saying “If things were the other way around, there’s nothing you could write about me that would make me not want to be with you”
THEN, after Rachel makes it clear that she’s not interested in talking to him, he calls Monica and asks her to turn on the radio since he made a song request for her so he’s basically forcing Rachel to listen to him
SO IN CONCLUSION: He didn’t apologize ONE TIME for the list, he tried to manipulate Rachel into forgiving him by saying she’s overreacting, AND proceeded to ignore Rachel’s wishes for a little bit of space continuously
This has been an anti-Ross psa
Ross is actually the worst character on the whole show I’m pro Joey all da way
when are we gonna stop using the word “abusive” as a synonym for “just being an asshole”
hate 2 break this 2 yall but the world isnt split up into nice people and abusers. being cruel or manipulative in the absence of an observable pattern of behavior and an established power dynamic isnt abuse. sometimes people are just shitty
I didn’t want to have to make a post about this, but i’m pretty pissed off at the moment.
I’m sure for people who have looked up “Mystery Skulls Animated” they’ve seen this 3 video compilation result that’s very high up in the search results. We have already sent out a copyright strike since last night so i’m hoping that will be the end of it, but if it’s not, please do not give this person who uploaded our videos your views, they have edited out all our credits and the video already has over 500k views which is absolutely stolen views and potential extra revenue for our VERY SMALL production team even though they have not monetize that stolen video. They also had a comment pinned earlier (before changing it) from people who thought they had made our videos. To the person who did this, I know you’ve seen our comments on your video to take it down and are actively ignoring that and gloating about how many new youtube subscribers you got on your twitter page. Putting one link in the description doesn’t absolve you of guilt that you stole our content and that was after people badgered you to do it.
You’re an asshole.
(BTW we do have a playlist made up for the videos so this makes me even angrier.)
I introduced a friend to ATLA a few nights ago, and they had only
known two things about the entire show: the cabbage meme, and that Aang
apparently wants to ride every large and dangerous animal he can
possibly find. We got through the first five or so episodes, and my
friend noted that Aang is exactly what a 12-year-old would be like if
given godlike powers, and that this is literally just what he
could do with airbending. He can’t even wield any of the other elements,
and he’s one of the most powerful people on the planet, because he’s an
airbender.
And that got me thinking.
This snippet from Bitter Work is one of the few pieces of concrete information we get about the airbenders, at least in ATLA. Iroh is explaining to Zuko how all four of the elements connect to the world and to each other.
Fire is the element of power, of desire and will, of ambition and the ability to see it through. Power is crucial to the world; without it, there’s no drive, no momentum, no push. But fire can easily grow out of control and become dangerous; it can become unpredictable, unless it is nurtured and watched and structured.
Earth is the element of substance, persistence, and enduring. Earth is strong, consistent, and blunt. It can construct things with a sense of permanence; a house, a town, a walled city. But earth is also stubborn; it’s liable to get stuck, dig in, and stay put even when it’s best to move on.
Water is the element of change, of adaptation, of movement. Water is incredibly powerful both as a liquid and a solid; it will flow and redirect. But it also will change, even when you don’t want it to; ice will melt, liquid will evaporate. A life dedicated to change necessarily involves constant movement, never putting down roots, never letting yourself become too comfortable.
We see only a few flashbacks to Aang’s life in the temples, and we get a sense of who he was and what kind of upbringing he had.
This is a preteen with the power to fucking fly. He’s got no fear of falling, and a much reduced fear of death. There’s a reason why the sages avoid telling the new avatar their status until they turn sixteen; could you imagine a firebender, at twelve years old, learning that they were going to be the most powerful person in the whole world? Depending on that child, that could go so badly.
But the thing about Aang, and the thing about the Air Nomads, is that they were part of the world too. They contributed to the balance, and then they were all but wiped out by Sozin. What was lost, there? Was it freedom? Yes, but I think there’s something else too, and it’s just yet another piece of the utter brilliance of the worldbuilding of ATLA.
To recap: we have power to push us forward; we have stability to keep us strong; we have change to keep us moving.
The air nomads brought fun to the world. They brought a very literal sense of lightheartedness.
Sozin saw this as a weakness. I think a lot of the world did, in ATLA. Why do the Air Nomads bother, right? They’re just up there in their temples, playing games, baking pies in order to throw them as a gag. As Iroh said above, they had pretty great senses of humour, and they didn’t take themselves too seriously.
But that’s a huge part of having a world of balance and peace.
It’s not just about power, or might, or the ability to adapt. You can have all of those, but you also need fun. You need the ability to be vulnerable, to have no ambitions beyond just having a good day. You need to be able to embrace silliness, to nurture play, to have that space where a very specific kind of emotional growth can occur. Fun makes a hard life a little easier. Fun makes your own mortality a little less frightening to grasp. Fun is the spaces in between, that can’t be measured by money or military might. Fun is what nurtures imagination, allows you to see a situation in a whole new light, to find new solutions to problems previously considered impossible.
Fun is what makes a stranger into a friend, rather than an enemy.
Hussie Quote: “Watching the kids figure out ways to hack the game is about as important to the story as watching them figure out how the game itself works in the first place. This is because the story is first about the game and the subversion of the game, and then about the narrative and the subversion of that narrative.”
OP: Wait a second, haven’t you been saying that all along? :O
I hadn’t thought about it as a direct progression from Game to Narrative, but in the sense of the story ultimately being about subverting the story/LE as author? Yeah kinda, which is pretty gratifying. He mentioned platonic idealism directly a couple of times, which was also pretty vindicating.
I am Silver Tongue, I am an artist. I have many characters and you can check out my art in the art tag. I occasionally practice witchcraft though I don't do anything too complicated. I am girl 2 and don't know what else to put here.
